Showing posts with label animation. Show all posts
Showing posts with label animation. Show all posts

Sunday, September 10, 2006

Bill Plympton's Don't Download This Song music video



The video for "Weird Al" Yankovich's new song, Don't Download This Song, is directed by none other than the phenomenal Bill Plympton!

The song, a parody of your typical inspirational ballad (with lyrics that lampoon the RIAA's attempts to deal with music piracy by suing the heck out of music downloaders), is pretty funny. The video, a cautionary tale of a boy who illegally downloads music and is subsequently chased down by the police as a hardcore felon, is truly hilarious. If you'd like to see more cartoons by Bill Plympton, check out this blog entry by Shawn, which lists all the Bill Plympton videos that he found on Youtube (including the Oscar-nominated short Guard Dog). Thanks, Shawn!

Well, it looks like "Weird Al" has recruited some truly awesome animators to work on the videos for his new album (for which Don't Download This Song is the lead single). John Kricfalusi, creator of the famed Ren & Stimpy cartoons, is working on one of them (along with the talented illustrator Katie Rice)! I can't wait to see it.

Wednesday, September 06, 2006

Two brilliant CG shorts by Polish animator Tomek Baginski

I discovered Tomek Baginski through the excellent animation blog The Progressive Animation Review, which highlighted his short film Fallen Art. I was highly impressed by the piece (which is winning awards everywhere), a stylish black comedy that builds up to the most hilarious yet disturbing climax I've seen in any film this year. It's definitely a must-watch for animation aficionados.

Naturally, I google'd Tomek Baginski to see what I could find. Turns out that Fallen Art was just his second released animation! His first film, Cathedral, tells a highly abstract science fiction tale about a pilgrim who visits a cathedral (what else?). One thing is clear from watching the two shorts- Baginski is not a man who likes to repeat himself. The two shorts are very different in both style and content. You can see how his directing and animation skills have improved from the first to the second. This really bodes well for his future, methinks. I look forward to seeing his future works.

Both shorts were animated and rendered in 3D Studio Max and were produced by Polish animation studio Platige Image. To learn more about Tomek Baginski and his works, check out these interviews:

Max Underground Interview with Tomek Baginski about Cathedral

Max Underground Interview with Tomek Baginski about Fallen Art


CGSociety Interview with Tomek Baginski about Fallen Art

Cathedral (2002)


Fallen Art (2004)


Saturday, September 02, 2006

Masters of animation- Derek Lamb

Animator, director, producer, writer, musician and teacher- the late, great Derek Lamb was all of these. He created works for the National Film Board of Canada, Sesame Street and UNICEF, amongst others, leaving a legacy of great animations. Here's a few that've made their way onto Youtube:

Every Child (1979)- produced by Derek Lamb, directed by Eugene Fedorenko.

This Academy Award-winning short film was created in celebration of UNICEF's Declaration of Children's Rights and the International Year of the Child. It illustrates one of the ten principles of the Declaration- that every child is entitled to a name and a nationality. It's a brilliant piece- the animation is visually dynamic, the A capella sound effects are wonderful and the story is both touching and wryly comic.

Special Delivery (1978)- produced by Derek Lamb, directed by John Weldon and Eunice Macaulay.

Another Oscar-winning short, this one is a hilariously twisted tale of a man whose life changes completely after he makes the simple mistake of forgetting to to clear the snow off his porch.

Mystery! title sequence(1980)- directed by Derek Smart.

Oh what joy! Derek Smart brings the darkly humourous drawings of Edward Gorey to life in this fantastic opening sequence for the classic PBS TV series "Mystery!".

Finally, here's two animations Derek Lamb made for Sesame Street in the 1970s.

I Get Mad- designed and directed by Derek Lamb, animated by John Canemaker.

"It aint baaad to get maaaad!"
This cracks me up every time I see it. An adorably gruff goat sings a song about how it's ok to let off steam when people act like asses toward you.

Simple Simon and the re-arranged animals- directed by Derek Lamb.

A short yet really funny absurdist piece about a group of animals whose limbs have been re-arranged. Good stuff, especially the character of the snake- the way he says "Something is wrong... but this is great!" with a huge grin on his face is just classic!

Wednesday, August 30, 2006

State of Shounen Anime: 2006

Shounen anime used to constitute the bread-and-butter portion of my anime diet. While my tastes have shifted to anime with experimental animation and/or unusual and mature storytelling (FLAG, Kemonozume, Mushishi and Ayakashi are good examples from this year) I STILL enjoy a solid shounen-style anime every now and then. Here's what I've been watching lately:

Naruto was for a long time my favourite shounen anime. More than just a faithful translation of it's source manga, the show proved it's worth with excellent production values and beautiful animation. The highlight of the series was surely the climatic episode 133, where master animator Norio Matsumoto showed off his skills in a virtuoso fight sequence that is already considered by animation connoisseurs to be one of the greatest fight scenes in a shounen anime, ever. Sadly, the series dove from that high point into filler hell, where it's remained for the past year! I'll start watching Naruto again as soon as it resumes the manga storyline, but not an episode before.

Bleach started out pretty strong when it debuted in 2004, with an interesting premise, engaging characters and a nice mix of action and humour. However, the series suddenly switched gears in it's 2nd major storyline, which introduced a massive cast of superfluous supporting characters (beloved by fans because of their admittedly gorgeous character designs) and a plodding, overly-complex plotline designed to impress those who mistake complexity for depth. I stopped watching it after the 60th or so episode as it'd just become another example of everything I hate about mainstream anime.

Yakitate!! Japan, on the other hand, is an example of a great show that, despite hewing very closely to the standard shounen anime formula, managed to consistently be wonderfully entertaining. I took a break from watching it early this year as my sister, who I watched every episode with, went off on an overseas trip. She's back, but we haven't gotten around to catching up with the show just yet I was pretty surprised to find out recently that the series ended with it's 69th episode! I'm kind of disappointed- wacky, unique and fluffy-fun series like Yakitate!! Japan don't come around very often (or rather, they do but they're frequently not that good).

Eureka 7, which launched in 2005, was a surprisingly heartfelt show about growing up, young love, freedom, responsibility and giant surfboard-riding mecha. A weird combination, to say the least, but somehow the series (directed by Tomoki Kyoda of RahXephon fame) managed to make it work. I'd fallen way behind on my viewing and sure enough, the show seems to have ended! By all accounts, it was pretty good til the end. I can't wait to see what I've missed.

Noein is probably the most interesting new shounen anime I've seen this year. The first episode is all I've seen so far, but what I saw was really gorgeous! The animation was delicious, with loose, sketchy drawings (that probably made loads of regular anime fans recoil in horror) and beautiful movements. The fight scenes are truly a marvel. Disappointly, the second episode seemed to revert to a "normal" anime look, with detailed characters that lacked the free-flowing sense of movement that they had in the first, but Ben Ettinger (who has a keen eye for good animation and runs the very cool Anipages Daily blog) mentioned really great work done by the animators on later episodes so I'm really looking forward to seeing the rest of this series (which ended earlier this year).

I was really looking forward to Blood+ as I thought the movie it's based on was an excellent mood piece and relished the idea of it being fleshed out. However, the best part of the series turned out to be it's first ten minutes- a stylish extended introduction animated in a similar style to the original Blood movie. The rest of the show, which took the safe route with typical-looking character designs and animation, just alienated me. The storyline of the show turned out to be just as prosaic as it's look and by the 5th or 6th episode, I'd lost all interest.

If you're an anime fan, you'll have noticed that none of the above are anime from 2006! Disappointingly, none of the shounen anime released this year have been very good.

A friend of mine recommended Air Gear, citing it's similarity to SEGA's thoroughly hip Dreamcast classic Jet Set Radio (aka Jet Grind Radio). Unfortunately, the show tries it's darndest to ape JSR but fails completely. The music sucks, the animation is totally boring and the storyline and characters just grate (to my horror, there's even a loli character). BORING. 'Nuff sed.

I do have a couple shows on my to-watch list that might be cool:

XXXHOLic & Tsubasa: Reservoir Chronicle- I really liked the first volume of CLAMP's XXXHOLic manga and it's sister manga, Tsubasa Chronicle sounds pretty interesting too, so I figure I'll check both anime adaptations out.

Tokyo Tribe 2- Santa Inoue's manga Tokyo Tribe 2 (released in English as Tokyo Tribes by Tokyopop) has fast become one of my favourite manga with it's epic story about warring street tribes on the streets of an alternate Tokyo- one that's rife with crime and corruption. Santa takes his cue from the great Hollywood gangster movies by centering the story around two characters- Kai and Mera, ex-best friends, now members of rival gangs and embroiled in what's about to become the biggest gang war to ever go down in Tokyo. The anime is being produced by the always reliable Madhouse Studios and will be directed by Tatsuo Sato, who made the surreal and experimental Cat Soup, amongst other things. Pretty exciting!

Tuesday, August 29, 2006

Korgoth of Barbaria

On the strength of it's pilot episode alone, I'm declaring Korgoth of Barbaria the best new American animated series of 2006. Yep, even better than The Amazing Screw-On Head, which was cool, but nowhere near THIS cool. Korgoth of Barbaria is an action-comedy that parodies Conan the Barbarian, Heavy Metal comics and well, the swords-and-sorcery genre of fantasy in general.

It's created by Aaron Springer, who storyboarded Spongebob Squarepants (and even wrote and directed some episodes), and the pilot episode's animation was directed by none other than Genndy Tartakovsky (the genius behind Dexter's Lab and Samurai Jack). With animation bigshots like that, you expect quality and Korgoth delivers in spades.

The show looks great, with unique character designs, excellent animation and surprisingly lovely painted backgrounds (done by Bill Wray, according to Cartoon Brew). It's also gust-bustingly funny, thanks to some killer dialogue (people will be quoting this stuff everywhere on the web by year-end), deft comic timing and the totally over-the-top heavy metal music used in the show. I can't wait for the show to debut in September (sadly, Cartoon Network Asia sucks SO MUCH that we don't even get Adult Swim in Singapore, but there's always Bittorrent!).

So check out the pilot episode on Youtube (part one, part two and part three) or download the torrent and know the awesomeness that is... KORGOTH!
*cue wailing guitars*

Note: I forgot to point out that Korgoth is, true to it's sword-and-sorcery roots, a really violent show- blood and limbs fly everywhere during fight scenes. Suffice to say, it ain't for the faint of heart. You've been warned.

Friday, July 14, 2006

Genius animator Makoto Shinkai is making a new film!

In 2001, an artist began work on an animated short film. He worked alone, using his Macintosh G4 PC to produce the animation. The film premiered in 2002 and went on to win no less than six awards as well as the adulation of the Japanese animation community.

The artist was Makoto Shinkai. The short film: 'Voices of a Distant Star." Unerringly beautiful, poetic and heartfelt, the film was unlike anything that had ever come out of the Japanese animation scene. 'Voices' used what could have been a standard science-fiction scenario- a soldier leaves Earth to fight a war in distant space while leaving his (in this case, her) lover behind- to tell a deeply personal, emotionally-charged story about love and seperation. It really is a brilliant work- one of the few anime that could possibly be considered a work of art.

Having established himself as one of the finest animators of his generation, Shinkai then proceeded to make his first feature-length animation- 'The Place Promised in Our Early Days.' This time, he worked with a full production staff and the results show in the increased technical quality of the work. Once again, the film melded science-fiction with a personal story of friendship, love and loss. Once again, the film earned much praise, winning four awards. However, a criticism often made of the work is that the pacing suffered with the longer length- perhaps unsurprising given Shinkai's inexperience at making feature-length films.

It is interesting, then, that his next animated film, '5 Centimeters per Second,' will consist of 3 short stories, centered around a boy, that take place in Japan from the 1990s til today. Dividing the film in this way should allow Shinkai to play to his strength in creating short stories, while also allowing him to create a rich, deep work. He's also decided to eschew the science-fiction trappings of his previous works, instead focusing on making the story and setting as realistic as possible.

However the story turns out, one thing's for sure- the film will be utterly gorgeous, if the trailer on the film's site is anything to go by. Both streaming or HD-downloadable versions of the trailer are offered and I highly recommend the latter if your PC can support it. Fansubbing group The Triad has also kindly released a translation of the trailer on their BitTorrent tracker.

'5 Centimeters per Second' is set to debut in Spring 2007- it'll surely be one of the animation highlights of the year! I await it's arrival eagerly.

Monday, July 10, 2006

Amazing Screw-On Head Debuts Online on July 13!



The Sci Fi Channel's animated adaptation of Hellboy-creator Mike Mignola's weird, wonderful and hilarious one-shot comic 'The Amazing Screw-On Head' will be premiering on the networks's Pulse broadband channel in just 3 days! According to Newsarama, viewers will be given a survey to fill out to help the network's executives decide whether to green-light the series or not. Given the show's unique premise and well-known cast (see above picture!), I think this fantasy-adventure-comedy series has a good chance at capturing viewers.

Friday, June 09, 2006

Ratatouille trailer is online... again!



UPDATE: You can watch the trailer, in English this time, at Apple's trailer website here.

The French trailer for Pixar's next big animated feature film, Ratatouille, leaked onto the net a couple weeks ago but was quickly taken offline. Well, a quick search for Ratatouille on Youtube uncovers 5 videos of the trailer- I guess they can't stop every single uploader. Also, blogger and animator Bartek Kujbida has kindly mirrored the Quicktime version of the trailer on his site. It's a lovely trailer- the visuals are gorgeous, as always with a Pixar movie, and the animation is great! I really like the main character's design. This movie's being (co-)directed by Brad Bird (The Incredibles, The Iron Giant), so I've got high hopes for it.

The trailer's in French, but here's a rough English translation, courtesy of Ain't It Cool News:

[Beginning]

And tonight before dessert, for your enjoyment, we introduce the cheese plate. We have this delicious goat cheese bell, real lite, real sweet. Then, an ewe that will satisfy you with its generous perfume. But, last but not least, a real old and real special...

It's a rat!

[freeze]

- And there I am. I think I have to reconsider my life. There's nothing I can do, it's over my strength, I love good food, ok? And good food is very hard to find for a rat.

- You would find I you weren't so requiring.

- I don't want to eat in dustbins, dad... What's that?

- I have no idea.

- You have no idea, but you eat it anyway, don't you?

- You know, if you can close the exit after you throw up, you have a whole lot of possibilities for food.

- VoilĂ ! That's exactly what I meant.

(Over the movie title) Nothing of this would have happened I we did not live in Paris! And it's sooo easy to find good food in Paris! But... it's dangerous. [un-freeze].

- You have to reconsider you life!

- You know, he is right!

- Dad, it's enough!

[End]


Thursday, June 08, 2006

Movie Review: Cars



When I first heard about Cars, I was doubtful. The movie's premise (a remake of Doc Hollywood set in a world full of cars!?!) just didn't excite me. Neither did the fact that NASCAR- a sport that I have little to no knowledge about and no interest in- seemed to figure heavily in it. The various trailers didn't do much to change my mind- the movie looked good enough, but I expected nothing short of brilliance from Pixar (by far and away my favourite movie studio) and Cars didn't look brilliant. Heck, a month ago when I watched 'Over The Hedge', I was convinced that this would be the first year in which Dreamworks would make a better movie than Pixar- and I declared so to my friends!

Well, Pixar, you've made me eat my words. I will never doubt this studio again. Not only is Cars a truly GREAT movie, a movie made with obvious love and passion, it's also one of Pixar's most emotionally mature works- one that, while appealing to kids, will only be fully appreciated by adults. On the surface, the story really is 'Doc Hollywood with cars' but Pixar's genius is that they always manage to make an old story feel fresh. The secret's in the characters. The studio's movies are always, first and foremost, character journeys- no Pixar hero is quite the same at the end of the movie as at the start. This is especially true of Cars.

The protagonist of Cars, rookie racecar Lightning McQueen (played by Owen Wilson) starts out brash and cocky, so obsessed about winning that he has no time for other people. He's a bit unlikeable, frankly, though he earns our sympathy when it's shown that his lifestyle and behaviour has left him bereft of any real friends. The movie introduces McQueen and his world of NASCAR racing perfectly, beginning in a loud and almost-obnoxious manner with a visually-kinetic race scene.

The sudden change in pace that occurs when McQueen, through a series of mishaps, gets stuck in the small town of Radiator Springs is jarring enough to be noticeable (indeed, I got a bit restless for the first ten minutes of the movie's 2nd act) but the movie quickly regains it's footing as we are introduced to the cast of characters who inhabit the town. The three main players here are the world-weary but wise Doc Hudson (Paul Newman in a great performance), the beautiful lawyer Sally (Bonnie Hunt) and Mater (comedian Larry the Cable Guy)- the dim-witted, rusty but loveable tow truck who takes a liking to McQueen.

No doubt you'll hear this from others, but I'll say it here too- Mater is the heart and soul of this movie. He's not just the comic relief sidekick that he's shown to be in the trailers (make no mistake, though- he's hilarious in the movie), he also teaches McQueen about the value of friendship by being the first person (car?) to ever befriend him and completely place his trust in him. The friendship that develops between him and McQueen is truly touching.

Cars also manages to give each of it's large cast of supporting characters their own little moment to shine in the movie, in a manner similar to the Toy Story movies. In fact, my very favourite scene in the movie features a character named Guido, a little Italian forklift and racing fan who only speaks one phrase in English. I won't say anymore- you'll know the scene when you see it- it made the audience at my screening fairly howl with laughter.

I said Cars holds greater appeal to adults than to children- that's because the movie is also a celebration of one of the icons of 20th Century America: the famous Route 66 (which ran all the way from Chicago to LA). Immortalized in song, fiction and even a TV series, Route 66 was a symbol of freedom, exploration and romance. Through Cars, director John Lasseter (the man who we're all counting on to save Disney) communicates his love for this now-defunct road.

The movie laments the loss of the communities that sprung up around Route 66 with the advent of modern Inter-State Highways that just take people from Point A to Point B, too fast to appreciate what lies in between (the fictional town of Radiator Springs in the movie is said to be strongly inspired by the real-life town of Amboys, California). Now, it's possible to get overly-preachy with this kind of thing- and in one speech given by a main character, the movie nearly does. Ultimately, though, the movie's nostalgia is endearing and fits in well with Lightning McQueen's character arc.

What's left to say about this movie? It's just great, heart-warming stuff. The movie commemorates Pixar's 20th year and serves as a tribute to the late, great Joe Ranft (who worked on the stories of all of Pixar's films, including Cars, and famously acted as Wheezy the penguin in Toy Story 2 as well as Heimlich the catterpillar in A Bug's Life). It's sad the man didn't live to see the movie, but I think he'd be real pleased with it.

Incidentally, in case you're wondering, the movie is also visually gorgeous. You won't even notice that this is a computer-animated movie- it just feels like a really well-shot, well-animated movie (which really is the highest compliment you can give Pixar on their animation). The music's great, too, with a surprising number of songs and a decidedly Southern flavour.

Alright then, I've said enough. Now just go watch the movie already. You'll love it. Oh and don't go to the theatre late- you don't wanna miss 'One Man Band,' the animated short film that airs before the movie. It's great stuff. The screening of short films at the beginning of each of their animated feature films is just another thing to love about Pixar.

Technorati Tags: , , , ,